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Furniture, household equipment, usually made of wood, metal, plastic, marble, glass, fabric or related materials and has a number of different uses. There is a wide variety of furniture ranging from a simple pine chest or a country chair with a cane back to an inlaid work cabinet or the most elaborate gilded console table. Functional and decorative aspects of furniture were more or less emphasized throughout history according to economy and fashion. Chairs can always be used, but some are more comfortable or ornate than others. Additional furniture are smaller items such as clocks, mirrors, tapestries, fireplaces, panels and other items that complement the interior design.
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, which means mobile. Continental terms describe the essential character of the furniture better than English words. To be furniture, it must be movable. Since the furniture presupposes a certain residential permanence, however, it is understandable that no independent form of furniture seems to have developed among the Melanesians or the Inuit of Greenland or the Mongol nomads of Asia.
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In general, the furniture produced in the last 5,000 years was not innovatively developed in any functional sense. An Egyptian folding chair from around 1500 BC fulfills the same functional requirements and has the same basic features as the modern one. Until the middle of the 20th century, with completely new synthetic materials like plastic and completely new production techniques like castings, there are signs of a radical revision of the concept of furniture.
Wood is the material most often used to make furniture. Although there are over a hundred different species that can be used for furniture, some types of wood have natural properties that make them better than others.
It is a relatively cheap material, wood is suitable for various types of processing; for example, it can be painted, painted, gilded and glued. It can be shaped with hand or power tools and drills. When heated, it can be bent to a certain extent into a predetermined shape, after which it will retain its shape. The grain of the wood creates a structure with different characteristics, which in itself provides a natural ornamental surface on which patterns can be formed by pre-calculated juxtaposition. Colors range from white, yellow, green, red, brown, gray to black through countless intermediate tones. By combining wood of different colors, very rich effects are achieved, especially in the 17th and 18th centuries. Wood, if stored under favorable conditions, is durable, and pieces of furniture from the oldest civilizations – Egypt, for example – still survive. Finally, most wood has an aromatic smell.
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Developments in craft and mechanical techniques over the last 200 years have made furniture production cheaper and faster. By using wood as a base and applying techniques such as stripping, heating and gluing, it was possible to develop new materials. Carpenters and furniture factories are increasingly using semi-finished wood such as veneer, log wood, plywood, laminated board and hardboard (fiberboard).
Veneer is a thin layer of very fine wood that is glued to the underlying wood to create a smooth and attractive surface. Such a surface would be difficult to achieve using solid wood, partly because of the cost, partly because of its brittleness, and partly because the grain cannot be best removed when the wood is cut into solid boards.
The practice of veneer furniture has been known since the time of pharaonic Egypt, but it was not fully used until the beginning of the 18th century. In the Rococo period, in particular, the master showed good quality by looking at curved, concave and convex surfaces; for example, as found on dressers.
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Faceting is done by sawing, machine cutting and peeling. Sawn veneer is the highest quality, but due to the relatively large loss of wood in the form of sawdust, it is also the most expensive. Therefore, as a rule, furniture veneer is machine cut.
The wood of the hull is veneered, in the form of a solid surface or a surface consisting of several layers glued together. Antique furniture is almost always veneered on solid wood of lower quality than veneer, such as beech, oak or thorn. High-quality English mahogany furniture made in the 18th century, however, is veneered with mahogany on mahogany. In the 20th century, machine-laminated boards of various thicknesses were mainly used. The advantage of the finished laminated board is that it does not shrink. Wood expands and contracts in different ways, and its strength can change axially, radially or tangentially; by blocking the wood – that is, by gluing pieces of wood in different directions – such differences are eliminated and the same strength is obtained longitudinally and laterally. The special feature of the laminated board is that the veneer is placed on both sides of the wooden board, which consists of narrow strips of wood glued on the edge. So the board is thick enough to be suitable for tables or doors.
If the laminated board is just individual sheets of veneer glued together, it is called plywood. Plywood is widely used in furniture production, especially as a support for cabinets and other storage pieces, for drawer bottoms and for shelves.
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Since then, metals have been used to make and decorate furniture. Large Egyptian pieces, such as the throne and chair found in the tomb of the young Tutankhamun (14th century BC), were rich in gold inlays (decorative details). In ancient Greece, bronze, iron and silver were used to make furniture. Among the finds buried in the ashes of Pompeii and Herculaneum in Italy were tables with folding frames and beds made partly or entirely of metal.
During the Middle Ages a metal chair – for example, the throne of Dagobert I, king of the Franks, from the 7th century – was used for special ceremonies.
Various examples of silver furniture have been preserved; they are not solid metals, but consist of embossed (decorated with relief) or chiseled (wrought) silver plates attached to a wooden core. Silver furniture was made for palaces in the days when monarchs amassed vast wealth. In times of war, silverware was melted down and made into silver coins; thus all the silver furniture disappeared from the French royal palace.
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During the 18th and 19th centuries, iron furniture became a typical industrial product. Iron beds became especially popular. Because they were easy to fold, they were in great demand as camp beds; A famous example is the one used by Napoleon on Saint Helena. Like ordinary beds in private houses or hotels, they could be decorated with brass ornaments such as large doorknobs screwed to their posts. Iron was also used for chairs; for example, rocking chairs or, perhaps more commonly, garden chairs that can stand out in the rain, protected only by a coat of paint.
The possibilities of steel for furniture were explored in Germany during the 1920s, particularly by architects associated with the Bauhaus, where architects, designers and artists experimented with modern materials. Experiments were performed with steel springs and chromed steel pipes. The genre was soon imitated, and tubular steel furniture became a symbol of functionality. Since then, thinner tubes and lattice wire have been used, with resistance similar to that found in wicker chairs. Due to its brightness, aluminum has become a material for furniture.
The metal, however, is mainly used for locks, brackets and hinges used on furniture or for purely decorative purposes. In the Middle Ages, simply made chests required the extensive use of iron bands to provide additional strength, and the ends of these bands were cut to give decorative shapes. Cabinets from the Renaissance and Baroque eras were decorated with pewter or bronze devices. Inlaid objects, decorated with material such as wood or ivory, laid into the surface of veneer furniture made in the royal furniture workshops in France, especially the so-called placing pieces of wood, shell, ivory or metal in wood veneer); they were influenced by Asian traditions, where steel, brass and copper were commonly used.
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In the 17th and 18th centuries, especially in England and the American colonies, a refined style was developed for the assembly of furniture, keyhole guards (a decorative shield around the keyhole), hinges and the like, all based mainly on Chinese models. The design of these fittings was driven by a clear functional purpose, unlike contemporary French Rococo fittings, which were mainly decorative, often at the expense of usability. French bronze founders showed great skill in making purely decorative fittings for commode bodies and protective devices for corners and legs.
Of the other secondary materials in the production of furniture, glass was used in the form of mirror-glass or as a purely decorative illusionistic element in wardrobes and desks. Italian craftsmen made glass furniture;
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